wild animals, hunting art
Framework Designs Gallery - Wildlife and Falconry Art and Custom Framing in Bozeman Montana
Framework Designs Gallery - Wildlife and Falconry Art and Custom Framing in Bozeman Montana
Framework Designs Gallery has a complete collection of Falconry, Wildlife and Nature art by John Banovich, Guy Coheleach, Robert Bateman and Daniel Smith as well as Falconry Artists Ronald David Digby and Andrew Ellis
Gyrfalcon, Peregrine Falcon
Falconry, Banovich, About Us
Welcome to Framework Designs!
Framework Designs, located in Bozeman Montana, was Started by Skip Tubbs in 1980. After graduating from The University Of Montana, Skip relocated to the Bozeman area to become partners in The Artist Union. The custom framing business soon separated and became Framework Designs. Skip is a part time biologist, falconer and avid sportsman.
In the fall of 2000 a partnership was created between Tubbs and Michelle Monson, a former employee of 7 years. Michelle has 12 years of custom framing, management and art sales experience. When not in the gallery, Michelle is an avid sportswoman and enjoys spending time with her family and dog in outdoor activites.
The staff at Framework Designs has a combination of over 30 years experience in designing custom framing, art sales and customer service. Customer satisfaction and service are our first priority at Framework Designs.
Framework Designs shows original paintings, etchings, baskets, sculptures, jewelry, gifts and crafts. Featured are Montana and internationally known artists portraying western landscapes and lifestyles, sporting art, African art and much more. We are Greenwich Workshop and Mill Pond Press Dealers giving us a huge access to popular limited edition prints and glicee canvases.
Our custom picture framing services include a wide range of experience from large quantity production jobs to original masterpieces, family heirlooms, shadow boxes and kids art. We cater to all needs in the preservation of your art work for your home, office or commercial business. On site consultation is available upon request.
WE SHIP ANYWHERE AND FRAME ANYTHING.....
Banovich, Framework Designs,
Commercial services
Framework Designs, Digby, Framing Process
If you own art there are two things you need to know. Not all artwork is alike, and none of it comes with a maintenance manual.
Yet unless your artwork is cared for properly, it will deteriorate. So, how do you decide when and how to care for your artwork?
The answer to that question is complex. How the artwork was created, where it has been and under what conditions, and what kind of care or treatment it has received all affect its future care. The more you know, the better care you can give. This care starts with your decision to frame and display your art. When framing, consider these questions:
If decorative qualities—color, style, design—are your most important considerations, then you may choose framing materials and techniques based solely on your decorating needs.
If the longevity and preservation of your art is your primary concern, then the selection of framing materials and techniques must all be directed toward preservation.
If both the preservation of the artwork and the decorative value of its framing are equally important, you may have to adjust either some of your decorating expectations or your preservation concerns.
There are no right or wrong answers to these questions; each piece of art has its own value and should be framed accordingly.
Choosing Materials
The materials used to frame your artwork have a direct effect on it. The type of matting used, the materials used to mount the artwork, and even the glass in the frame are all important. Words like
"acid-free," "pH neutral," and "archival"
are often used to describe matboards and backboards suitable for preservation framing.
Most of these materials have an additive or buffering agent to reduce any acidic condition which may occur. Matboards and backing boards that are not preservation quality may become acidic over time, and damage the artwork they surround.
Because paper reacts to changes in temperature and humidity—expanding when they are high and shrinking when they are low—it is often mounted to keep it flat. Yet there are objections to fully mounting art: if the art becomes damaged at a later time, it may be harder to conserve if it is fully mounted. The mounting may also introduce materials into the artwork that may not be removable.
There are preservation alternatives that you may consider which allow the art to be mounted in ways that are reversible, and which allow the art to change with temperature and humidity while framed.
Surface protection is also important. Glazing, either glass or acrylic, keeps foreign substances (like airborne dust or oil from fingerprints) off the surface of the art. UV-blocking glass or acrylic will also help to protect your art from fading and other types of damage caused by ultraviolet light rays.
How and where your art is displayed will also have a direct effect on its condition and longevity.
Environmental elements — light, humidity, temperature, and even pollution can affect your artwork. Discuss where you intend to hang your art with a framer as you plan your frame design.
Art, like everything else, needs constant care. Sometimes this care and maintenance should be performed by a trained specialist. When in doubt, ask. Making informed decisions about framing your art will add to your enjoyment of it and improve its condition and longevity.
Frame your art with preservation in mind and it will look like new for years to come.
Digby, Simon Combes,
Welcome to Framework Designs!
Welcome to Framework Designs
A Montana Wildlife Art Gallery and Custom Frame Shop.
This site contains a collection of original African, Sporting, Raptor and Falconry art and sculptures from well established artists such as
Simon Combes
,
Andrew Ellis
and
R. David Digby
.
In addition, you will find the work of many highly talented but little known
local Montana artists
. Gallery
"Contact Information"
a complete
"Schedule of Upcoming Shows and Events"
and as well as a brief history of
Framework Designs
are included for your convience.
Enjoy your visit and come back soon!
Simon Combes, Ellis, Product Descriptions
Giclée
- (Pronounced Zhee-Clay) The French term for "fine spray"; no printing film or plates are involved in the giclée printing process. A computer directly scans the artist's original painting. This information is used to control the tiny ink jets on a digital printer. The jets spray millions of water-based printing ink droplets per second onto a sheet spinning rapidly on a drum to create thousands of shades of rich color. The end result is a lush and velvety art print; one that has the look and texture of a fine original.
Giclée Canvas
- The above-described process on canvas.
Giclée Paper
- The above-described process on fine art paper.
Limited Edition
- A limited edition is one whose size is determined in advance by the publisher. Each print in the edition is signed by the artist and then individually numbered (s/n).
Offset Lithographic Print
- (or offset photomechanical reproduction). The original image or a photograph of the image is scanned into a computer to produce color separations, one for each color used in the printing process: cyan, yellow, magenta and black. These separations are then output to film with dot patterns that represent the values of each of the four process colors. The films are exposed to printing plates, one for each color. The plates transfer the ink to a rubber blanket, which in turn offsets the ink onto paper or canvas.
Original Lithographic Print
- Not a reproduction; each is an original and unique work of art. The artist "etches" separate drawings, one for each color to be printed, directly on the working surface (commonly cooper or zinc) to create individual plates. An original lithograph must pass through the press one time for each color it contains. Hand coloring may also be added later.
Etching
- A metal plate usually copper or zinc is etched using various acids or mordands, Instead of cutting lines onto the plate, the artist covers the plate with a acid- resistant ground and then draws through that ground, with special sharp tools, exposing the plate where the design is to be. The plate is then immersed in an acid bath which bites into the plate where the protective coating has been removed.
The areas that are corroded, or bitten, will hold ink, and when a sheet of moistened paper is placed over the plate and run through a press under pressure, the image is transferred to the paper. Areas of the plate that have been masked out during the development of the plate are still the original smooth metal and will hold no ink; these are white areas in the finished print.
Serigraph
or Silk Screen- The serigraphic process incorporates the use of fine mesh screens to hand separate the colors of the image. Originally, these screens were made of silk, hence the name by which this process is also known - silk screening. To produce a serigraphic print, a separate stencil-like screen is made for each area that is to be printed in one color of ink. The ink is then squeegeed through the screen onto the paper. The inks sit on top of the heavy paper on which the final serigraph is produced. Because the ink is not absorbed by the paper as in other processes, the final serigraphic print actually looks like a painting on paper.
Textured Canvas
- A limited edition canvas which has been embellished to represent the artist's brush strokes on the original painting. Framed without glass, textured canvas has added dimension and luster, and the appearance of an artist's original painting.
Ellis, Birds in Art, Your Invitation
Framework designs gallery wishes to invite you to their 8th Annual Art Show, Benefit Sale and Silent Auction. A portion of all July sales and the total proceeds from silent auction items will be donated to The Montana Raptor Conservation Center.
Reception:
Friday, July 12th, 2002 -- 6:00 pm to 9:00 pm
The Montana Raptor Conservation Center ambassador birds on display.
Artists Show:
Exhibiting
Original Works
by International, National & Local Artists
Exhibition:
July 1st through August 3rd
Participating Artists
Click Here to View the Art
Clyde Aspevig
Steve Aller
John Banovich
Linda Besse
Susan Blackwood
Ranie Botsford
Janie Camp
Richard Clifton
Simon Combes
Bunny Connell
Kate Davis
Jim Dick
Ronald Digby
Jim Dolan
Andrew Ellis
Ethel Fogelsong
Carol Guzman
Anne Huffine
Burl Jones
Ott Jones
Beki Killorin
Johann Koch
Bridger Konkel
Dave Konkel
Mark MacLeod
Pat Mathiesen
Patrick Mavros
Hans Peeters
David Ruimveld
Lindsay Scott
Dan Smith
Bob Story
Lee Stroncek
Paco Young
SILENT AUCTION ITEM #1
"Mt. Ellis Foothills" By Clyde Aspevig
SILENT AUCTION ITEM# 2
"Forever Free" By Dan Smith
The Montana Raptor Conservation Staff will be at the gallery reception July 12th, 6:00 pm - 9:00 pm, with their ambassador raptors.
For more information, please call 1-800-533-9396.
Birds in Art, Coheleach,
"Mt. Ellis Foothills"by Clyde Aspevig
6"h X 9"2w Oil on Board
SILENT AUCTION ITEM #1
"Prairie Clouds" by Clyde Aspevig
12"h X 12"w Oil on Canvas Panel
Hand Carved Gold Frame $5100.00
"The Combs" by Clyde Aspevig
9 3/4"h X 15 1/2"w Oil on Canvas Panel
Framed $5000.00
"Old Warrior" by John Banovich
8"h X 10"w Oil on Linen
Framed $3000.00
"Hooded Merganser" by Linda Besse
10"h X 14"w Oil on Board
Framed $950.00
"Northern Shoveler" by Linda Besse
16"h X 24"w Oil on Board
Framed $2800.00
"Yellowstone Angler" by Ranie Botsford
Wire Sculpture $185.00
"Evening Hatch" by Janie Camp
12"h X 9"w Oil on Board
Framed $825.00
"Afternoon Mallards" by Richard Clifton
Limited Ed. Print
Silent Auction Item #2
"October Morning" by Richard Clifton
Limited Ed. Print
Silent Auction Item #3
"Wigeon-Outfront" by Richard Clifton
Limited Ed. Print
Silent Auction Item #4
Framework Designs Gallery - Wildlife and Falconry Art and Custom Framing in Bozeman Montana
Wildlife Art, Digby, Ellis
Wildlife Art Network
Wildlife Art Galleries Network, , Smith, Sculptures
African art and wildlife paintings Wildlife Art
Guy Coheleach Custom Framing
Daniel Smith Wildlife and African Art Bozeman
Tom Mansanarez Wildlife Art and Sporting Classics Banovich
EzPics web sites for wildlife and nature artists Framework Designs
Manuel Mansanarez Digby
Sallie Lynn Davis Simon Combes
Cattle Creek Publishing Ellis
Terry Lee wildlife art Birds in Art
Karryl's African Animal sculptures Sculptures
Cynthie Fisher's sporting classics, duck stamp and wildlife art Wildlife Paintings
Dennis Farris - wildlife art and figurative bronze sculptures Bateman
Guy Coheleach's big cats and birds of prey Young
John Banovich - African art and big cat and African big game paintings wildlife artist
Val Warner's mural and mascot paintings nature artists
Framework designs falconry and raptor art and sporting classics African paintings
Roc Corbett custom lighting wildlife sculptors
The Corbett wildlife art gallery animal sculptures
M.S. Hollis western and ranch landscape art wilderness landscapes
Steve Hamrick wildlife art and fish and duck carvings wilderness paintings
Jocelyn Lillpop Russell's wildlife bronzes and animal paintings http://www.fwdart.com
Jocelyn Russell's monumental bronzes and wildlife art Framework Designs Gallery
Wildlife Art Magazine and Wildlife Art News. Hawking
Magi Day's Florida landscapes, tropical flowers and Everglades paintings Raptors
Larry Zabel's western and native american paintings and artwork artists
Rita Shugart's Pebble Beach landscapes, pet portraits and wildlife art. John Tubbs / Michelle Monson
Fariad's Western, wildlife and stilllife paintings, drawings and sketches commercial framing
San Gabriel Mountains Regional Conservancies Falconry art
Wildlife artists and art galleries network birds of prey
A directory of wildlife artists Peregrine Falcon
Wildlife paintings and sculptures by the worlds best nature artists Gyrfalcon
James Marsico's bronze sculptures and animal art Simon Combs
James Marsico's taxidermy and sculptures africa wildlife art
Kent Jacobson's wildlife sculptures and custom jewelry hunting art
Brenda Lee Malone's Lake Tahoe landscapes and wildlife art. african animals